Shobana Jeyasingh Dance : We Caliban review – postcolonial take on The Tempest is difficult to (…)
York Theatre Royal Jeyasingh’s choreography is well wrought and precise but Caliban’s struggles with servitude and resistance feel adrift amid a sea of ideas Choreographer Shobana Jeyasingh originally moved to the UK in the early 1980s to study Shakespeare, so it’s safe to say she has deeply (…)
Site référencé:
The Guardian (South&CentralAsia)
2003.jpg?width=140&quality=85&auto=format&fit=max&s=99da6b987e1cac9f9a98e124aa7d3cc4, 2003.jpg?width=460&quality=85&auto=format&fit=max&s=287dfeae1f2e7fcb73aa6e13e2dbe998, 2003.jpg?width=700&quality=85&auto=format&fit=max&s=89a56dfb322b88b6109432cc3544c41a
The Guardian (South&CentralAsia)
Nicolas Sarkozy enters prison to begin five-year sentence over criminal conspiracy
21/10/2025
On the trail of the guano miners – in pictures
21/10/2025
‘The cars just turn them into mush’ : can Britain’s toads be saved from traffic and terrible decline ?
21/10/2025
Houseplant clinic : what are the brown patches on my prickly pear ?
21/10/2025
I Deliver Parcels in Beijing by Hu Anyan review – startling stories of China’s new precarity
21/10/2025
David Blunkett backs proposal for skilled migrants to train British workers
21/10/2025