Hedda review – Ibsen meets Downton Abbey in Nia DaCosta’s exotic rendering of classic play
High society in 1950s Britain is the setting in which Tessa Thompson’s free-spirited but manipulative Hedda marries for money. Cue jaded pleasure and absurdity 3Nia DaCosta, known for her satirical horror Candyman from 2021, has now created an exotic melodrama; it is ridiculous, intense, (…)
Site référencé:
The Guardian
2500.jpg?width=140&quality=85&auto=format&fit=max&s=de9ab5106e7f5c1f053146c0d690117d, 2500.jpg?width=460&quality=85&auto=format&fit=max&s=ab5aa863c5df46f2ecf57c7d8b5438ed, 2500.jpg?width=700&quality=85&auto=format&fit=max&s=2034eea92497a8730ae2c7aa21aaadcb
The Guardian
Australia v India : second men’s one-day international – live
23/10/2025
UK campaigners launch bill to give nature legal rights
23/10/2025
‘Publicly humiliated’ : parents describe difficulty of children’s isolation at school
23/10/2025
Comedy Wildlife Awards 2025 – in pictures
23/10/2025
Rachel Roddy’s recipe for leftover polenta biscuits | A kitchen in Rome
23/10/2025
We must act now : without a written constitution, Reform UK will have carte blanche to toxify our nation | Goerge Monbiot
23/10/2025