Shobana Jeyasingh Dance : We Caliban review – postcolonial take on The Tempest is difficult to (…)
York Theatre Royal Jeyasingh’s choreography is well wrought and precise but Caliban’s struggles with servitude and resistance feel adrift amid a sea of ideas Choreographer Shobana Jeyasingh originally moved to the UK in the early 1980s to study Shakespeare, so it’s safe to say she has deeply (…)
Site référencé:
The Guardian
2003.jpg?width=140&quality=85&auto=format&fit=max&s=99da6b987e1cac9f9a98e124aa7d3cc4, 2003.jpg?width=460&quality=85&auto=format&fit=max&s=287dfeae1f2e7fcb73aa6e13e2dbe998, 2003.jpg?width=700&quality=85&auto=format&fit=max&s=89a56dfb322b88b6109432cc3544c41a
The Guardian
Repair bills could force hundreds of UK churches to close within five years
21/10/2025
The Louvre raid was audacious - but nothing compared to the heist France's political class just pulled off | Rokhaya Diallo
21/10/2025
Sanae Takaichi appoints just two women to cabinet after becoming Japan’s first female PM
21/10/2025
Pizza Hut administration : the 68 restaurants that will close
21/10/2025
The US refugee program changed my life. Trump’s possible overhaul would be disastrous | Bahati Kanyamanza
21/10/2025
Pickle power : how to make your first ferments | Kitchen aide
21/10/2025