The Makropulos Case review : Ausrine Stundyte is magnetic in exhilarating – and funny – Janáček (…)
Royal Opera House, London Katie Mitchell’s production wittily reinvigorates Janáček’s story of an immortal woman, via toxic masculinity and dating apps. Jakub Hrůša’s conducting draws out the music’s colours and the cast are uniformly strong The director Katie Mitchell recently announced that (…)
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The Guardian (Europe)
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The Guardian (Europe)
Misleading UK adverts for ’very low emission’ wood-burning stoves banned
6/11/2025
Women, whisky and ‘the other room’
6/11/2025
Anemone review – Daniel Day-Lewis is endlessly watchable as ex-soldier living with guilt
6/11/2025
When company’s coming, these simple, cosy ideas hit the spot
6/11/2025
A note to politicians hoping to emulate Mamdani’s social media strategy : without the right policies, it’s pointless | Rohan Sathyamoorthy
6/11/2025
‘I’m so not scary. But my features can be’ : Fiona Shaw on Austen, Andor and Harry Potter
6/11/2025